Assignment 2 Revision

The original draft, submitted to my tutor for feedback is here.

Reflection on tutor feedback here.

Although my tutor suggested that I could undertake further editing of the photographs from my original journey I was unhappy with the quality of the work and chose to re-shoot the whole assignment from scratch.  An opportunity arose for a train journey from Birmingham New Street station to Gloucester, one I am less familiar with than Gloucester to Cardiff, so this seemed an ideal chance to start afresh.  It was an overcast day, perhaps not ideal, but it meant I did not have the glare of the sun to contend with and although the train was busy, I was able to find a window seat on the right of the train, making taking photographs relatively easy.  I set ISO to 400, using shutter priority at 1/13 sec which resulted in apertures ranging from f/16 to f/22.

Rather than setting lots of rules as I did first time round, I just kept taking photographs throughout the journey and felt far more relaxed and in control.  The only firm decisions I made were that I would not worry about the dirt on the windows of the train, that was part of my experience and as far as possible, I would adopt my normal sitting position during the journey, so looking forward and to my right rather. This means that the train window and railway lines feature in many of the images. I also made some recordings of the sounds inside the train on my phone during the journey as it was my intention  to make a short slide show accompanied by the train sounds.

Having edited the 200 resulting images to 127, then 60 and 50, 40 and finally 24, I explored different software for the slide show; iMovie’s for iPad, Lightroom for iPad, the first two whilst on holiday with only the iPad available. I then explored Lightroom CC and PowerPoint which I found quite powerful and flexible.  As well as experimenting with the final 24, I experimented with 50, increasing the transition speed whilst reducing the time each photograph was on screen so as to give a better sense of the speed of the train.  This worked well, however I had a problem saving the slide show as a video in PowerPoint once the sound was added so I reverted back to Lightroom, which, although not as sophisticated, did a reasonable job.

In my last report, my tutor commented that the sound track recorded during the journey worked well but he thought I could experiment more with transitions, which meant more practice with something other than Lightroom.  I am glad of that extra  push though because having worked out what I was doing wrong with the sound in PowerPoint, I have been able to select different and more appropriate transitions whilst also varying the length of time each slide is one the screen.  For example, more slowly going into and out of stations and faster out in the open country. My choice of transitions may still be a little safe but I feel appropriate to this project,  slowly ‘fading’ into the next slide whilst in the station and ‘wiping’ whilst the train is in motion.  Initially. I thought that the ‘wiping’ option went the wrong way until I discovered a drop-down menu which allowed me to choose the direction of the ‘wipe’.  I am now happy with the final result and will certainly consider slide shows as an option for presenting future work.

Technical information:

  • Number of photographs: 48
  • Software used: PowerPoint
  • Transitions: Fade for first and last slides, wipe for remainder
  • Soundtrack: Recorded in the train using a smartphone
  • Duration of slideshow 1 min. 58 secs.

Self evaluation against assessment criteria:

Demonstration of technical and visual skills

I am very much happier with this version of  Assignment 2 than the original one. Having freed myself from unnecessary constraints and accepted the randomness of the situation, I was able to relax and enjoy the experience.  I have learnt that  I get a better result for by using a fixed ISO and either fixed shutter speed or aperture than I do by setting the aperture and shutter speed and leaving ISO on auto. In this instance ISO was set to 400 and shutter speed at 1/13 sec and aperture on auto which resulted in apertures ranging between f16 and f22.  The slow shutter speed demonstrated  that the train was travelling at speed whilst still retaining enough definition to identify the subject.  Arguably I didn’t need such small apertures but had learnt from previous experience not to start messing with the settings once they had been set.  Photographs from the railway station, the train interior and oncoming trains speeding past are included as they add to the story and to my experience of the journey.

I have previously used Power-Point in a business environment but not for the presentation of photographs as a slide show and enjoyed exploring this. Although I initially had a problem inserting audio and then saving as a video, a little patience soon resolved this.

Quality of outcome

I have finally achieved what I set out to do, in that I have produced a series of photographs that reflect my experience of the rail journey, both in terms of images and sound.  I have included a mix of rural landscape, edgelands, station stops and passing trains as well as shots of the interior of the carriage. I believe that the blur resulting from the slow shutter speed is effective whilst still retaining some definition in the images.  From the beginning I felt that a slide show was the best means of communicating  my visual ideas for this assignment and I believe I have achieved this very well.

Demonstration of Creativity

This I believe, is to be the most creative and thought provoking project I have undertaken whilst studying with the OCA and almost certainly the reason I was less than happy with the results of my first shoot.  The following is an extract from my reflection on the work submitted to my tutor for feedback.

I had chosen to follow the example of Richard Long, Rolf Sachs and Yan Wang Preston, as discussing in my research post, where they decided in advance where or when to take their photographs regardless of what they would capture. This meant that the process became more important than the outcome and there was a randomness about the photographs I took.  I initially had concerns about the dirt on the windows of the train and reflections of the inside of the train in some of my photographs but now realise that, not only does this add another layer of interest, it is actually part of my experience of the journey. This has been a very experimental project in which I have had to relinquish some control, and although that has not been entirely comfortable, it is something I will explore further’.

My re-shooting of this assignment has resulted in a less-risky but better quality outcome and I understand that this is a boundary I have to keep pushing.  Getting both right has to start with confidence in my equipment (and myself) and a clear vision of what I want to achieve. My dissatisfaction with the first series of images was largely to do with my unfamiliarity with a new  camera and how it would reacted under certain circumstances, such as the effect that having a barrier in the form of the train window between the camera and the subject would have on the light reaching the sensor. That said, Rolf Sachs took around 15000 photographs over a 12 month period for his work  ‘Camera in Motion –  Churn to Tirano’ ( Sachs, 2013)

As I re-read my draft submission I wonder if I sacrificed too much of my original bravery and inspiration in a bid for a better outcome, I fear I have but only time will tell.

Context

I researched this project thoroughly bringing into it, a range of different aspects of landscape photography explored in the course materials. I have drawn on a variety of artists whose work is influenced by journeys or aspects of landscapes not usually photographed; Richard Long, Yan Wang Preston, Rolf Sachs, Paul Fusco, Lewis Baltz and where possible I have tried to apply some of the practices and techniques used by these artists in my assignment.  I reflect and analyse my work as a matter of course, perhaps over analysing at times but always wanting to improve my work as a result of my learning.

Sources;

rolfsachs.com | rolf sachs studio (s.d.) At: https://rolfsachs.com (Accessed 22/01/2020).

 

Slideshow Success!

Having struggled over the weekend to set up a slide show which sound that I could download and run, I have reverted to the slide show facility in Lightroom.

Although there are fewer options for transitions and how long the slides are on the screen, what is there serves the purpose so I will probably go with that.  In PowerPoint I had been able to vary the length of time the slides were on the screen, so for example, I had set the first slide in the railway station and the one in Cheltenham Spa to 2 seconds with the others at 1.5 seconds.  In Lightroom,  they all have to be the same, so I have gone for 1.5. Likewise the transition time, in PP I had the slides going into and out of stations moving more slowly than when the train was at full speed, now I have to have them all the same and again I have gone for 1.5 seconds. This means that that whole slideshow currently stands at 2 minutes and 31 seconds. I would have liked it to be a maximum of 2, so may play around with it a little more.  The other thing I could do of course is to reduce the number of slides from 50 to say 40 but for now I will watch this a few times and see what I think.

I decided to go back and look at Lightroom again having viewed Sue’s slideshow on her blog. Like me she had considered other programmes for the same reasons but decided to go for simplicity in the end and with impressive results. And although Lightroom has fewer options, it was much easier to save the slideshow and I was also able to use my recorded soundtrack without any problem. sometimes it’s better to stick to things you know!

Almost there with Audio Visual, or at least I thought so.

Having congratulated myself on adding additional photographs to the slide show and adjusting the timings so that I still didn’t exceed 2 minutes I was frustrated at my inability to make the sound work despite having achieved this in version 1.  The m4a file holding the audio I made on the train was not compatible with the wav file required by PowerPoint.  There are lots of programmes out there which allow one to convert file types but I am always reluctant to download software I don’t know.  However I found an online programme, online-convert.com, which seems to be affiliated to Google Chrome, which enabled me to convert the file free.  So I now have a wav file and think that is an end to my problems, but no.

Despite being able to insert the audio file into the PP slideshow and play it back without issue, when I  come to download into a video format, I have the option of MPEG-4 video or Windows Media Video and tried both, I had the same issue as before in that there was a ‘grunt’ when the sound should start, then nothing.

The ‘info’ section on PowerPoint was quite helpful (I should have looked here first), in that it recommends optimising media before you insert it and also compressing it to save space, I did both of this but still no joy.  A search of the help function advised that I delete all my temporary file and that seemed  to have done the trick because now I have a PowerPoint Assignment 2 slideshow V3

There is still a problem though because when I try to save to a video format, the file suddenly becomes 9 minutes long instead of 2 and does not move off the first slide – it does have sound though!  I’m not sure where to go next but will seek advice from my OCA peers.  For now I need a break from this before I abandon the slide show idea.

Assignment 2: Tutor Feedback

I was very pleasantly surprised with my tutor’s feedback on assignment 2.  I had beaten myself up about the technical problems I experienced; surely, I should have made sure I understood my camera’s settings better than I did. I was also disappointed with the quality of the resulting photographs. When submitting my work to my tutor, I had pre-empted his response by saying that I knew I would have to re-do this project but felt I needed to draw a line under it for now and get some feedback.  His reply was that it was a ‘great project and showed a lot of work’! 

Overall comments

This submission online has depth and crosses a number of creative and conceptual areas of focus. Each exercise explores connections between assigned tasks and the ways in which your own research can activate new ways of planning and executing photographic work. Making use of mapping software alongside more traditional ways of thinking of a journey shows that your able to choose and apply a methodology to suite whilst offering new openings and ways of creating work.

Feedback on assignment

Your explanation of technical exposure issues was useful and given the space in which you were working it seems that you managed to overcome some of these. I didn’t feel as though I had overcome them sufficiently well though and this resulted in what I felt were poor quality images. 

My tutor suggested I reset my camera to manual and systematically work though each setting to the more complex shooting modes.  I have actually done that and have discovered that I miss interpreted the information in the manual about exposure settings.  what I thought was ‘spot metering’ was in fact ‘central weighted metering’. I also think I over complicated the task by giving myself too many things to keep track of. 

What is useful and significant is your ability, whilst on location, to recognise and respond to events. Although I did this, I did not feel I had done it very well.  He goes on to acknowledge that the research I had undertaken, for example, Rolf Sachs, had given me a framework for my project which had resulted in being able to translate my journey into a visual sequence.  Although I was unhappy with the quality of the final images, I was pleased with the process I had gone through and that I had managed to produce a project with represented my experience of the journey.  Whilst my tutor points out that I could undertake further processing of the images, they may be better left if I want to keep a sense of primacy.  I’m not sure that I want to undertake any further processing to those images but I may well decide to re-shoot the journey again with a slightly simpler set of rules.

Coursework

Coursework is thorough, exercises show ability to reflect on previous work, ‘shifting focus from previously learned workand re applying to new work shows that learning is fully taking hold’  It seems to have taken me a while to get to this point but I do feel that I am more and more able to draw on learning from earlier courses and re-apply it.  I also think that what I have learned from other students through the South West group has been really beneficial.

Research

My tutor felt that my learning log was perceptive and that the artist and photographers I chose enabled me to connect with very different practices. One comment he made which I will explore further referenced my initial inspiration for this project which was a GWR advertisement showing Enid Blyton’s famous 5 going on a train journey.

‘It would be worth exploring the connectivity between the GWR advertising board – the recreating of a bygone age, the visual language it employs and the use of typography with that of Ed Ruscha perhaps. Through much of your work one can see that the thread of such connections is very present. Connecting the promise of a journey and the actual might be worth exploring further. This might be something that could reaper as the module progresses.

I haven’t actually though of this before but the nostalgic picture portrayed in the GWR poster and the reality of the actual journey are quite different and my tutor’s suggestion that this might be something to consider later in the module gives me food for thought. I have just viewed a short YouTube video where Fay Godwin revisits some of the sites she included in her Land book and was horrified at the changes that had taken place.   

My tutor liked the range of activities reflected on in my learning log and recognises my drive to explore more and different kinds of experience.

Suggestions for further reading/viewing

 

 

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